Research Output per year
Organization profile
Organisation profile
Research in Music at Bristol encompasses composition, musicology and performance. We recognise these fields as being of equal importance, and staff research often falls within more than one area.
We enjoy a vibrant research culture in the department, and our academic staff are all internationally recognised scholars in their respective fields who collaborate with colleagues in other disciplines and institutions, and with practitioners.
Our key strands of research include the following:
- Composition, both acoustic and studio;
- Music, politics and society (music and cultural transfer; transnationality and colonialism; reception studies; music, revolution and totalitarianism);
- Music and intermediality (popular music, especially hip hop; opera studies; film music; medieval music, text, visual and material cultures);
- Music as performance (historical performance practice; medieval oral transmission).
Our combined expertise covers repertories and histories across 1,000 years and embraces a diverse range of methodologies and approaches.
More information at https://www.bristol.ac.uk/music/research/.
Fingerprint Dive into the research topics where Department of Music is active. These topic labels come from the works of this organisation's members. Together they form a unique fingerprint.
Network
Recent external collaboration on country level. Dive into details by clicking on the dots.
Profiles
Research Output
Stage Work
Ellison, M., Piccinini, P. & Lifschitz, Y., Sep 2021, (In preparation)Research output: Non-textual form › Composition
Bin Boğalar Efsanesi (original language is Turkish): Where To?
Ellison, M., Jones, S. & Kemal, Y., 24 May 2020, (In preparation) 300 p. Rotterdam : Rotterdam Operadagen (tbc).Research output: Other contribution
Brithop: UK Regional Rap in the 21st Century
Williams, J., 2020, (Accepted/In press) Oxford University Press. 250 p.Research output: Book/Report › Authored book
Projects
8023 Brit. Ac Newton International Fellowship - NIFBA19\190608 - Tommaso Sabbatini
13/01/20 → 12/01/22
Project: Research
Standard grant: Cultural identity, evolution and transition in the cults of medieval Iberian saints
2/09/19 → 30/04/23
Project: Research
Student theses
Affective Communities: Music, Emotion, and Subjectivity in the Popular Cinema of the Third Reich and the Soviet Union, 1933-1949
Author: Carter, L., 23 Jan 2019Supervisor: Fairclough, P. (Supervisor) & Heldt, G. (Supervisor)
Student thesis: Doctoral Thesis › Doctor of Philosophy (PhD)
File
An application of social categorisation and social identity theory to mental retardation.
Author: Claire, L. S., 1984Student thesis: Doctoral Thesis › Doctor of Philosophy (PhD)
File
Aspects of Traditional Japanese Aesthetics and their Influence in Contemporary Compositional Practice
Author: Kampylis, E., 1 Oct 2019Supervisor: Farwell, N. (Supervisor) & Ellison, M. (Supervisor)
Student thesis: Doctoral Thesis › Doctor of Philosophy (PhD) in Musical Composition
File
Prizes
ASCAP Deems Taylor award for excellence in writing on the subject of music
David J Trippett (Recipient), 2013
Prize: Prizes, Medals, Awards and Grants
BASEES Women's Forum Book Prize
Fairclough, Pauline (Recipient), 13 Apr 2018
Prize: Prizes, Medals, Awards and Grants
Activities
Royal Musical Association (External organisation)
Florian Scheding (Member)
2020 → …
Activity: Membership types › Membership of external research organisation
Institute of Austrian and German Music Research (External organisation)
Florian Scheding (Advisor)
2020 → …
Activity: Membership types › Membership of external research organisation
Royal Musical Association Research Chronicle (Journal)
Florian Scheding (Editor)
2020 → …
Activity: Publication peer-review and editorial work types › Editorial activity