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Dr Guido HeldtD.Phil.

Senior Lecturer in Music

1 - 10 out of 81Page size: 10
  1. 2018
  2. Published

    Composer concertante. Elizabeth Maconchy’s Music for Solo Instruments and Ensemble

    Heldt, G., Apr 2018, Elizabeth Maconchy. Music as Impassioned Argument. Brüstle, C. & Sofer, D. (eds.). Vienna, London, New York: Universal Edition, p. 86-123 38 p. (Studien zur Wertungsforschung; vol. 59).

    Research output: Chapter in Book/Report/Conference proceedingChapter in a book

  3. Published

    Was uns die Töne erzählen. Filmmusik und Narratologie

    Heldt, G., 2018, Filmmusik. Ein alternatives Kompendium. Hentschel, F. & Moormann, P. (eds.). Springer, p. 123-146 24 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter in a book

  4. 2017
  5. Published

    Furchtbar lustig. Musik in Horrorkomödien

    Heldt, G., Mar 2017, Musik in der Filmkomödie. Heldt, G., Krohn, T., Moormann, P. & Strank, W. (eds.). Munich: edition text + kritik, p. 130-175 46 p. (FilmMusik; vol. 3).

    Research output: Chapter in Book/Report/Conference proceedingChapter in a book

  6. Published

    Musik in der Filmkomödie

    Heldt, G. (ed.), Krohn, T. (ed.), Moormann, P. (ed.) & Strank, W. (ed.), Mar 2017, Munich: edition text + kritik. (FilmMusik; vol. 3)

    Research output: Book/ReportEdited book

  7. Published

    Stimmen hören. Film, Musik und die Sprache der Erzähltheorie

    Heldt, G., 2017, Filmmusik und Narration: Über Musik im filmisachen Erzählen. Rabenalt, R. & Gervink, M. (eds.). Marburg: Tectum, p. 99-125 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter in a book

  8. 2016
  9. Published

    Film Music Theory

    Heldt, G., 2016, The Cambridge Companion to Film Music. Cooke, M. & Ford, F. (eds.). Cambridge: Cambridge University Press, p. 97-113 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter in a book

  10. 2015
  11. Published

    The New Operator: Benjamin Britten als Komponist für Film, Radio und Theater

    Heldt, G., Aug 2015, Benjamin Britten. Tadday, U. (ed.). Munich: edition text + kritik, p. 120-134 15 p. (Musik-Konzepte; vol. 170).

    Research output: Chapter in Book/Report/Conference proceedingChapter in a book

  12. Published

    Martin Scorsese: Die Musikalität der Bilder

    Heldt, G. (ed.), Krohn, T. (ed.), Moormann, P. (ed.) & Strank, W. (ed.), Mar 2015, Munich: edition text + kritik. 128 p. (FilmMusik; vol. 2)

    Research output: Book/ReportEdited book

  13. 2014
  14. Published

    Schläft ein Lied in allen Dingen. 'Step across the Border' und die Konstruktion des romantischen Künstlers

    Heldt, G., Sep 2014, Jazz im Film: Beiträge zu Geschichte und Theorie eines intermedialen Phänomens. Tieber, C. & Strank, W. (eds.). Vienna, Berlin, Münster: LIT Verlag, p. 193-210 18 p. (Filmwissenschaft; vol. 16).

    Research output: Chapter in Book/Report/Conference proceedingChapter in a book

  15. Published

    Ennio Morricone

    Heldt, G. (ed.), Krohn, T. (ed.), Moormann, P. (ed.) & Strank, W. (ed.), 2014, Munich: edition text + kritik. 169 p. (FilmMusik; vol. 1)

    Research output: Book/ReportEdited book

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