Dr Jacqueline Maingard

Search results

• African cinema and Bamako (2006): notes on epistemology and film theory

  Maingard, J. M., Jul 2013, In: Critical African Studies . 5, 2, p. 103-113 11 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  • African Cinema
  • Film Theory
  • cinema
  • epistemology
  • Epistemology

• A Pan-African Perspective on Apartheid, Torture and Resistance in Euzhan Palcy’s A Dry White Season

  Maingard, J., 27 Nov 2019, In: Black Camera. 11, 1, p. 201-213 13 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  • Torture
  • Apartheid
  • Oppression
  • African Identity
  • Fictionality

• Bokkies/Moffies: cinematic images of black sexual identity in Zonk! (1950)

  Maingard, JM., Jun 2003, In: Journal of African Cultural Studies. 16 (1), p. 25 - 43 19 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  • Cinematic Image
  • Sexual Identity
  • song
  • Song
  • Dance

• Cast in Celluloid: Imag(in)ing Identities in South African Cinema

  Maingard, JM., 2006, Image Into Identity: Constructing and Assigning Identity in a Culture of Modernity. Wintle, M. (ed.). Rodopi, p. 83 - 100 18 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book

• Cinemagoing in District Six, Cape Town, 1920s to 1960s: History, politics, memory

  Maingard, J., Jan 2017, In: Memory Studies. 10, 1, p. 17-34 18 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  Open Access

  File

  • history politics
  • Politics
  • cinema
  • Motion Pictures
  • town
  3 Citations (Scopus)

  413 Downloads (Pure)

• Drumming Up Readers: Zonk! African People’s Pictorial and films for African audiences in South Africa in 1949 and the early 1950s

  Maingard, J., 2020, Mapping Movie Magazines: Digitization, Periodicals, and Cinema History. Biltereyst, D. & Van de Vijver, L. (eds.). London: Palgrave Macmillan, p. 153-176 24 p. (Global Cinema).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book

• Film Production in South Africa: Histories, Practices, Policies

  Maingard, J., 1 May 2017, African Filmmaking: Five Formations. Harrow, K. W. (ed.). Michigan: Michigan State University Press, p. 241-279 39 p. (African Humanities and the Arts).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book

• Film Studies in South Africa

  Maingard, JM., 1997, In: Screen. 38 (2), p. 190 - 191

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  2 Citations (Scopus)

• Foreword: Art and Trauma in Africa: Representations of Reconciliation in Music, Visual Arts, Literature and Film

  Maingard, JM., 2013, Art and Trauma in Africa: Representations of Reconciliation in Music, Visual Arts, Literature and Film. Bisschoff, L. & Van de Peer, S. (eds.). I.B. Tauris, p. XVIII-XXXIII 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book

• Framing South African National Cinema and Television

  Maingard, JM., 2003, To Change Reels: Film and Film Culture in South Africa. Balseiro, I. & Masilela, N. (eds.). Wayne State University Press, p. 115 - 131 17 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book

• "Fuelling apartheid": documentary film in the service of apartheid

  Maingard, J., 2021, (Unpublished) Petrocinema: Modern Imaginaries and the Oil Industry. Dahlquist, M. & Vonderau, P. (eds.). London: Bloomsbury

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book

• Imag(in)ing the South African Nation: Representations of Identity in the Rugby World Cup 1995

  Maingard, JM., 1997, In: Theatre Journal. 49 (1), p. 15 - 28

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

• Love, loss, memory and truth

  Maingard, JM., 2009, Zulu Love Letter: a screenplay. Peterson, B. & Suleman, R. (eds.). Wits University Press, p. 5 - 17 13 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book

• Narrating popular consciousness: testimony in Fruits of Defiance

  Maingard, JM., 1997, In: Current Writing. 9 (1), p. 55 - 67

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

• New South African cinema: 'Mapantsula' and 'Sarafina'

  Maingard, JM., 1994, In: Screen. 35 (3), p. 235 - 243

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  13 Citations (Scopus)

• Projecting Modernity: Sol Plaatje’s touring cinema exhibition in 1920s South Africa

  Maingard, J., 19 Oct 2018, Rural Cinema Exhibition and Audiences in a Global Context. Treveri-Gennari, D., O'Rawe, C. & Hipkins, D. (eds.). London: Palgrave Macmillan, p. 187-202 16 p. (Global Cinema).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book

• Screening Africa in Colour: Abderrahmane Sissako's Bamako

  Maingard, JM., 2010, In: Screen. 51, 4, p. 397 - 403 7 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review
  7 Citations (Scopus)

• South African Cinema: Histories and Futures

  Maingard, JM., 2007, In: Screen. 48 (4), p. 511 - 515 5 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review
  3 Citations (Scopus)

• South African Cinema in the 1940s: Reviewing Black Identities.

  Maingard, JM., 2003

  Research output: Non-textual form › Web publication/site

• South African National Cinema

  Maingard, JM., 2007, Routledge. 220 p.

  Research output: Book/Report › Authored book

  • National Cinema
  • Cinema
  • Apartheid
  • Film Culture
  • South Africa

• The Cinematic Cowboy in Africa: Identities and the Western Genre

  Maingard, J., 2020, In: Tijdschrift voor Mediageschiedenis/Journal for Media History. 23, 1/2

  Research output: Contribution to journal › Article (Academic Journal)

  Open Access

  • comparative research
  • genre
  • Democratic Republic of the Congo
  • cinema
  • Southern Africa

• The Rose of Rhodesia: colonial cinema as narrative fiction and ethnographic spectacle

  Maingard, J. M., Sep 2009, In: Screening the Past. 25, Part II.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  • Colonial Cinema
  • Spectacle
  • Narrative Fiction
  • Ethnographic
  • Heroine

• Transforming television broadcasting in a democratic South Africa

  Maingard, JM., 1997, In: Screen. 38 , 3, p. 260 - 274 15 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  13 Citations (Scopus)

• Trends in South African documentary film and video: questions of identity and subjectivity

  Maingard, JM., 1995, In: Journal of Southern African Studies. 21 (4), p. 657 - 667

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  8 Citations (Scopus)

• Uku Hamba 'Ze - To Walk Naked

  Maingard, JM., 1995, In: First Johannesburg Biennale, Gertrude Posel Gallery, University of the Witwatersrand, Johannesburg, exhibition entitled "Taking Liberties: The Body Politic", 1995. Exhibited internationally from 1995 to 2001.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

• ‘Assignment Africa’: Donald Swanson's colonial imaginary and Chisoko the African (1949)

  Maingard, JM., 2013, In: Journal of Southern African Studies. 39, 3, p. 701-719 19 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  • Assignment
  • Magic
  • 1940s
  • South Africa
  • Key Note
  2 Citations (Scopus)

• “Lost Classics” in Context: Film Production in South Africa 1920-1960

  Maingard, J. M., 2014, Africa's Lost Classics: New Histories of African Cinema. Bisschoff, L. & Murphy, D. (eds.). Oxford: Legenda, p. 35-48 14 p. (Moving Image).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book