Professor Justin A Williams

Search results

• 2018

  Intertextuality and Lineage in The Game's "We Ain't" (2005) and Kendrick Lamar's "m.A.A.d City" (2012)

  Williams, J., 28 Feb 2018, The Pop Palimpsest: Intertextuality in Recorded Popular Music. Burns, L. & Lacasse, S. (eds.). Ann Arbor: University of Michigan Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book
• 2016

  Music and Crowdfunded Websites: Digital Patronage and Composer-Fan Interactivity

  Williams, J. A., Wilson, R., Rambarran, S. (Editor) & Whiteley, S. (Editor), Jan 2016, Music and Virtuality. p. 593 612 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book
• 2015

  Post-mortem Sampling in Hip-hop Recordings

  Williams, J. A., Oct 2015, Death and the Rock Star. Strong, C. & Lebrun, B. (eds.). Ashgate Publishing Ltd., p. 189-200 11 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book
• 2014

  Soweto's War: Class, Race and Genre Hybridities in British Jazz

  Williams, J. A., 2014, Black British Jazz: Routes, Ownership, Performance. Tackley, C., Toynbee, J. & Doffman, M. (eds.).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book

• The Construction of Jazz Rap as High Art in Hip-hop

  Williams, J. A. & Perchard, T. (Editor), 2014, From Soul to Hip-hop. Perchard, T. (ed.). Ashgate Publishing Ltd., (The Library of Essays on Popular Music).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book
• 2013

  Cars with the Boom: Music, Automobility and Hip-hop 'Sub' Cultures

  Williams, J. A., Dec 2013, The Oxford Handbook to Mobile Music, Vol. 2. Stanyek, J. & Gopinath, S. (eds.). Oxford University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book