Dr Kirsty Sedgman

Search results

• 2019

  Audiences Behaving Badly – And What We Should Do About It: Dr Kirsty Sedgman's Theatre & Touring Symposium 2019 Lightning Talk

  Sedgman, K., 26 Jun 2019, UK Theatre Blog.

  Research output: Contribution to specialist publication › Article (Specialist Publication)

• Challenges of cultural industry knowledge exchange in live performance audience research

  Sedgman, K., 21 May 2019, (E-pub ahead of print) In: Cultural Trends. 28, 2-3, p. 103-117 15 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  Open Access

  File

  • Knowledge 100%
  • Cultural Organizations 100%
  • Practitioners 100%
  • Exchange 100%
  • Performance 75%
  3 Citations (Scopus)

  170 Downloads (Pure)

• On Rigour in Theatre Audience Research

  Sedgman, K., 20 Dec 2019, In: Contemporary Theatre Review. 29, 4, p. 462-479 19 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  Open Access

  File

  • Abstracts 100%
  • Theatre 100%
  • Audience Research 100%
  11 Citations (Scopus)

  91 Downloads (Pure)

• Uncharted Territories in 'Empirical' Audience Research

  Sedgman, K., 1 Nov 2019, In: Performance Matters. 5, 2, p. 169-172 4 p.

  Research output: Contribution to journal › Article (Academic Journal)

  Open Access

  File

  • Spectatorship 100%
  • Audience Research 100%
  • Contemporary 50%
  • Territory 50%
  • Empirical 50%
  64 Downloads (Pure)
• 2018

  How can we talk about 'thirst' in theatre?

  Sedgman, K., 19 Dec 2018, Exeunt Magazine.

  Research output: Contribution to specialist publication › Editorial (Specialist Publication)

• The Reasonable Audience: Theatre Etiquette, Behaviour Policing, and the Live Performance Experience

  Sedgman, K., 14 Nov 2018, London: Palgrave Macmillan. 178 p.

  Research output: Book/Report › Authored book

  • Auditorium 25%
  13 Citations (Scopus)

• What is 'good' theatre?

  Sedgman, K., 22 Oct 2018, Exeunt Magazine.

  Research output: Contribution to specialist publication › Editorial (Specialist Publication)

  Open Access

• When Theatre Meets Fandom: Audience Reviews of Harry Potter and the Cursed Child

  Sedgman, K., 1 Mar 2018, In: Journal of Fandom Studies. 6, 1, p. 81-99 18 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  Open Access

  File

  • Children 100%
  • Scripts 75%
  • Harry Potter 75%
  • Theatre 75%
  • Shapes 50%
  541 Downloads (Pure)
• 2017

  Audience Experience in an Anti-Expert Age: A Survey of Theatre Audience Research

  Sedgman, K., 1 Oct 2017, In: Theatre Research International. 42, 3, p. 307-322 16 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  Open Access

  File

  • Research Worker 100%
  • Light 100%
  • Experience 100%
  • Publication 100%
  • Theatre 100%
  13 Citations (Scopus)

  1335 Downloads (Pure)

• Audience Experience in Rimini Protokoll’s Outdoors

  Sedgman, K., 14 Nov 2017, In: Studies in Theatre and Performance. 37, 3, p. 350-364 15 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  Open Access

  File

  • Cultural Users 100%
  • Administrative Structure 50%
  • Experience 50%
  • Town 50%
  • Forgetting 50%
  409 Downloads (Pure)

• Documenting Audience Experience: Social Media as Lively Stratification

  Bucknall, J. & Sedgman, K., 23 Mar 2017, Documenting Performance: The Context and Processes of Digital Curation and Archiving . Sant, T. (ed.). Methuen Drama

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book

• Ladies and Gentlemen Follow Me, Please Put on your Beards: Risk, Rules, and Audience Reception in National Theatre Wales

  Sedgman, K., 18 Jul 2017, In: Contemporary Theatre Review. 27, 2, p. 158-176 19 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  Open Access

  File

  • Cultural Users 100%
  • Theatre 50%
  • Civil and Political Rights 50%
  • Awareness 50%
  • Understanding 25%
  5 Citations (Scopus)

  446 Downloads (Pure)

• No-Object Fandom: ‘Smash’-ing Kickstarter & Bringing Bombshell to the Stage

  Sedgman, K., 21 Nov 2017, iBroadway. Hillman-McCord, J. (ed.). Palgrave Macmillan

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book

  • Television Series 100%
  • Object 75%
  • Fandom 75%
  • Text 50%
  • Digital 50%

• Understanding Your Audience

  Sedgman, K., 22 Feb 2017, Acting for the Stage. Weinstein, A. & Qualls, C. (eds.). Routledge, (Perform: Succeeding as a Creative Professional).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book
• 2016

  A Wealth of Experience: Evaluating the Flintshire "Artists in Schools" Residency Model

  Sedgman, K., Aug 2016, (Submitted) Arts Council Wales/Flintshire County Council.

  Research output: Book/Report › Commissioned report

  • Artists 100%
  • Administrative Structure 50%
  • UK 50%
  • Experience 25%
  • Arts 25%

• Just Being Really Nice to People: Investigating Cultural Value in Oriel Wrecham's Year Offsite (2015-16)

  Sedgman, K., May 2016, Oriel Wrecsam.

  Research output: Book/Report › Commissioned report

• Locating the Audience: How People Found Value in National Theatre Wales

  Sedgman, K., 2016, Bristol & Chicago: Intellect Publishers. 230 p.

  Research output: Book/Report › Authored book

  • Audience 100%
  • National Theatre 100%
  • Cultural Values 66%
  • Cultural Users 66%
  • Process 33%

• Our Obsession with Theatre Etiquette is Rooted in the Past

  Sedgman, K., 18 Aug 2016, The Stage.

  Research output: Contribution to specialist publication › Editorial (Specialist Publication)

• Performing Poetry: Experience, Authenticity & Audience Response

  Sedgman, K., 2016, (In preparation).

  Research output: Working paper

  • Poetry 100%
  • Empirical 16%
  • Hundred Years War 16%
  • Audience Response 16%
  • Anthology 16%

• The Ape on the Rock

  Sedgman, K., 1 Dec 2016, New Welsh Review, p. 22-34 12 p.

  Research output: Contribution to specialist publication › Editorial (Specialist Publication)

  • National Theatre 100%
  • UK 100%
  • Local 50%
  • Universality 50%
  • Rocks 50%

• ‘Just Because You Teach, Doesn’t Mean It’s Over’: Bunheads and the Pedagogy of Live Performance

  Sedgman, K., 10 Nov 2016, Teaching and Learning on Screen: Mediated Pedagogies. Readman, M. (ed.). Palgrave Macmillan, p. 99-117 18 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book

  • Transition 100%
  • Teachers 100%
  • Program 100%
  • Young Adults 100%
  • Performers 100%

• ‘What’s Bigger than a Standing Ovation?’: Intimacy and Spectacle at the Tony Awards

  Sedgman, K., Mar 2016, In: Studies in Musical Theatre. 10, 1, p. 37-53 17 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  Open Access

  File

  • Intimacy 100%
  • Tony Award 40%
  • Online Comments 40%
  • Comprehension 20%
  • Aptitude 20%
  548 Downloads (Pure)
• 2015

  An Incredible Thing: Evaluating the Magna Carta Poets Laureate Lincolnshire Landscape Project

  Sedgman, K., Nov 2015, Lincolnshire County Council/Cultural Solutions UK/Arts Council England.

  Research output: Book/Report › Confidential report for external body

  • Landscape 100%
  • Project 75%
  • Art 50%
  • Poet Laureate 50%
  • Magna Carta 50%

• Be Reasonable! On Institutions, Values, Voices

  Sedgman, K., May 2015, In: Participations: International Journal of Audience Research. 12, 1, p. 123-132 10 p.

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

• Bursting out of our Bubble

  Sedgman, K., 26 Nov 2015, Arts Professional.

  Research output: Contribution to specialist publication › Editorial (Specialist Publication)

  Open Access

  • Cultural Users 100%
  • Art 50%
  • Resistance 50%
  • Opinion 50%
  • Bubbles 50%

• Editors’ Introduction: Themed Section on Theatre Audiences

  Reason, M. & Sedgman, K., May 2015, In: Participations: International Journal of Audience Research. 12, 1, p. 117-122

  Research output: Contribution to journal › Article (Academic Journal) › peer-review

  • Theatre 100%
  • Introduction 50%
  • Editors 50%

• Special Issue: Theatre Audiences

  Reason, M. (ed.) & Sedgman, K. (ed.), May 2015, In: Participations: International Journal of Audience Research. 12, 1

  Research output: Contribution to journal › Special issue (Academic Journal) › peer-review

  • Audience Research 100%