Professor Simon Shaw-Miller

BA (Hons) (Brighton) , PhD (Essex), Hon ARAM, FRSA, FHEA

  • BS8 1TB

1990 …2020

Research output per year

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Personal profile

Research interests

Professor Shaw-Miller is Chair of History of Art (the Chair having been established in 2000, with Stephen Bann as its first recipient), he was previously the Professor of History of Art & Music in the School of Arts, Birkbeck College, University of London. He is an Honorary Associate and Research Fellow of the Royal Academy of Music, a Fellow of the Royal Society of Arts, and a Fellow of the Higher Education Academy.

Professor Shaw-Miller’s research interests are the history of art and music in the modern period (1800-1960s). He is concerned with questions of interdisciplinary methodology, modernism, the concepts of visual music, sound art, musical iconography, synaesthesia, musical ekphrasis, and the aesthetics of the Gesamtkunstwerk. Current research looks to theoretical relationships between jazz and 20th century visual modernism.  

Research supervision

Professor Shaw-Miller’s areas of supervision are broadly within the area of modernism (from Vienna to New York), with a specialist methodological concern with interrelationships in audio and visual culture up to the present; he is specifically interested in the concepts of abstraction, art and the senses, sound and audio art and culture, interdisciplinarity and art and music history and theory from the early 19th century to the late 20th century.

Teaching

Professor Shaw-Miller teaches across the BA, MA and Post Graduate Research programmes. He offers specialist courses on audio-visual culture and the relationship between art and music. He also teaches on more general topics such as modern art and theories of modernism, visual analysis and the historiography of art. Specific courses include, Introduction to Early Modern Art; Introduction to Modern Art; Art & Music (1800-2001); Understanding Cubism; Histories, Theories and Critical Interpretations of Art; Curating the Theatre Collection; Nineteenth-Century Realism in France & Britain, and Research Issues in Art History.

 

Office: 1.28, 9 Woodland Road

Phone: +44 (0)117 954 6051

Email: s.shaw-miller@bristol.ac.uk

Consultation Hours

 

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Projects

Bone Conducting Lollipop: An exploration of flavour, sound and experience

Shaw-Miller , S., Hall, A. J., Shirazi, S., Farwell, N. J., Roudaut, A., Senior, T., Brown, A. & Saxton, L.

1/02/1731/07/17

Project: Research

Research Output

Eye hEar The Visual in Music

Shaw-Miller, S. T., Nov 2013, Ashgate Publishing Ltd. 240 p.

Research output: Book/ReportAuthored book

  • Visible Deeds of Music: Art and Music from Wagner to Cage

    Shaw-Miller, S. T., 2002, 1st ed. Yale University Press. 320 p.

    Research output: Book/ReportAuthored book

  • Improvision: Orphic Art in the Age of Jazz

    Shaw-Miller, S., 2020, (In preparation) New York: Bloomsbury Academic.

    Research output: Book/ReportAuthored book

  • Prizes

    Prix Ars Electronica (Media.Arts.Research.)

    Shaw-Miller , Simon (Recipient), 2009

    Prize: Prizes, Medals, Awards and Grants

  • Honorary Associate of the Royal Academy of Music

    Shaw-Miller , Simon (Recipient), 20 Mar 2007

    Prize: Election to learned society

  • Fellow of the Royal Society of Arts

    Shaw-Miller , Simon (Recipient), 12 Jul 2017

    Prize: National/international honour

    Activities

    Nam June Paik Symposium

    Simon Shaw-Miller (Keynote/plenary speaker)

    11 May 201214 May 2012

    Activity: Participating in or organising an event typesParticipation in conference

    Academy of Finland (External organisation)

    Simon Shaw-Miller (Reviewer)

    20142016

    Activity: Membership typesMembership of external research organisation

    Supervised Work

    Disorders at the Borders: Memories of the Gesamtkunstwerk in the Paintings of Anselm Kiefer

    Author: Wates, M., 6 Nov 2018

    Supervisor: Shaw-Miller, S. (Supervisor)

    Student thesis: Doctoral ThesisDoctor of Philosophy (PhD)

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