Research output per year
Research output per year
My research so far has focused predominantly on medieval Italian literary culture, especially Dante and early Italian lyric poetry. My first book, Dante’s Lyric Redemption: Eros, Salvation, Vernacular Tradition (Oxford University Press, 2016), re-evaluates Dante’s relationship to his vernacular lyric heritage and his commitment to eros as a redemptive force. I have also published a number of articles that examine from different perspectives Dante’s complex and evolving notion of desire, in relation to both medieval and classical literary cultures, and have co-edited the volumes Desire in Dante and the Middle Ages (2012) and Dante in Oxford: The Paget Toynbee Lectures (2011).
I have a growing interest in Dante's modern reception. I have worked on the use of Dante in the writing of Primo Levi and Cesare Pavese, and am now working on a monograph project entitled 'The Poet and the Nation: Dante and the Idea of Italy'. As Italy today adopts a more nationalist brand of politics, this project explores the ways in which the figure of Dante has been used and exploited to construct and articulate different forms of Italian national identity since the process of unification in the nineteenth century. It examines how, through different phases of modern Italian history, cultural and political agents have appropriated and manipulated Dante's work to promote and legitimize their different visions of Italy. My monograph will explore the poet's place in the Risorgimento, under Fascism, in the modern Catholic Church, and in contemporary debates surrounding migration, Islam and Italian identity. I was awarded a Fellowship by the Leverhulme Trust to support my work on this project from the start of 2020.
'Primo Levi, Dante, and Language in Auschwitz', Modern Language Review, 117.1 (2022)
‘17. Seductive Lies, Unpalatable Truths, Alter Egos’, in Cambridge Vertical Readings in Dante’s ‘Comedy’, ed. by G. Corbett and H. Webb, 3 vols (Cambridge: Open Book Publishers, 2016), pp. 127-49 [open access]
‘”Una modesta Divina Commedia”: Dante as anti-model in Cesare Pavese’s La luna e i falò’, in Metamorphosing Dante: Appropriations, Manipulations and Rewritings in the Twentieth and Twenty-First Centuries, edited by M. Gragnolati, F. Camilletti, and F. Lampart (Berlin and Vienna: Turia und Kant, 2011), pp. 101-22 [open access]
Research output: Book/Report › Authored book