3D Laser Scanning For Recording and Monitoring Rock Art Erosion

T Barnett; A Chalmers; M Díaz-Andreu; PW Longhurst; GJ Ellis; K Sharpe; I Trinks

3D Laser Scanning For Recording and Monitoring Rock Art Erosion

T Barnett, A Chalmers, M Díaz-Andreu, PW Longhurst, GJ Ellis, K Sharpe, I Trinks

Department of Computer Science

Research output: Contribution to journal › Article (Academic Journal) › peer-review

Abstract

Rock art recordings are at the core of research and management of rock art sites. They are an essential component of any database formed for research and protection programmes. This article explores the potential of 3D laser scanning for the recording of rock art. The rock art site chosen to undertake the fieldwork is a rock covered with many cup marks (stone 105 in Boughey & Vickerman 2003) situated on Rombald’s Moor in West Yorkshire. The results of the initial laser scanning are provided. Gridded 3D surface, elevation contours and maximum curvature colouring illustrate some examples for 3D rock art visualisation.

Translated title of the contribution	3D Laser Scanning For Recording and Monitoring Rock Art Erosion
Original language	English
Pages (from-to)	25 - 29
Number of pages	5
Journal	International Newsletter on Rock Art
Volume	41
Publication status	Published - Apr 2005

Bibliographical note

Publisher: Foix: INORA-ARAPE
Other: http://eprints.dur.ac.uk/archive/00000124/

Access to Document

http://www.cs.bris.ac.uk/Publications/pub_info.jsp?id=2000242

Handle.net

Persistent link

Cite this

@article{af3a12a6dd4544808db31b5d347ed383,

title = "3D Laser Scanning For Recording and Monitoring Rock Art Erosion",

abstract = "Rock art recordings are at the core of research and management of rock art sites. They are an essential component of any database formed for research and protection programmes. This article explores the potential of 3D laser scanning for the recording of rock art. The rock art site chosen to undertake the fieldwork is a rock covered with many cup marks (stone 105 in Boughey & Vickerman 2003) situated on Rombald{\textquoteright}s Moor in West Yorkshire. The results of the initial laser scanning are provided. Gridded 3D surface, elevation contours and maximum curvature colouring illustrate some examples for 3D rock art visualisation.",

author = "T Barnett and A Chalmers and M D{\'i}az-Andreu and PW Longhurst and GJ Ellis and K Sharpe and I Trinks",

note = "Publisher: Foix: INORA-ARAPE Other: http://eprints.dur.ac.uk/archive/00000124/",

year = "2005",

month = apr,

language = "English",

volume = "41",

pages = "25 -- 29",

journal = "International Newsletter on Rock Art",

}

TY - JOUR

T1 - 3D Laser Scanning For Recording and Monitoring Rock Art Erosion

AU - Barnett, T

AU - Chalmers, A

AU - Díaz-Andreu, M

AU - Longhurst, PW

AU - Ellis, GJ

AU - Sharpe, K

AU - Trinks, I

N1 - Publisher: Foix: INORA-ARAPE Other: http://eprints.dur.ac.uk/archive/00000124/

PY - 2005/4

Y1 - 2005/4

N2 - Rock art recordings are at the core of research and management of rock art sites. They are an essential component of any database formed for research and protection programmes. This article explores the potential of 3D laser scanning for the recording of rock art. The rock art site chosen to undertake the fieldwork is a rock covered with many cup marks (stone 105 in Boughey & Vickerman 2003) situated on Rombald’s Moor in West Yorkshire. The results of the initial laser scanning are provided. Gridded 3D surface, elevation contours and maximum curvature colouring illustrate some examples for 3D rock art visualisation.

AB - Rock art recordings are at the core of research and management of rock art sites. They are an essential component of any database formed for research and protection programmes. This article explores the potential of 3D laser scanning for the recording of rock art. The rock art site chosen to undertake the fieldwork is a rock covered with many cup marks (stone 105 in Boughey & Vickerman 2003) situated on Rombald’s Moor in West Yorkshire. The results of the initial laser scanning are provided. Gridded 3D surface, elevation contours and maximum curvature colouring illustrate some examples for 3D rock art visualisation.

M3 - Article (Academic Journal)

VL - 41

SP - 25

EP - 29

JO - International Newsletter on Rock Art

JF - International Newsletter on Rock Art

ER -

3D Laser Scanning For Recording and Monitoring Rock Art Erosion

Abstract

Bibliographical note

Access to Document

Handle.net

Fingerprint

Cite this