Abstract
Magazine verse has long been a maligned poetic category and yet, in the
eighteenth century, as the magazine vogue began to
take off, these periodicals hosted a rich and
vibrant poetic culture. This article reveals the richness of the poetic
culture
made possible by magazines by exploring how it was
experienced by one provincial, labouring class, female reader: Mary
Leapor.
The article traces a broad range of Leapor’s
experiences as a reader of and contributor to periodicals including the
essay
paper The Guardian, the ground-breaking regional magazine The Northampton Miscellany, the nationally distributed London Magazine, and the literary periodical The Museum.
As well as offering a defence of the category of magazine verse, this
exploration of Leapor’s engagement with poetry in periodicals
sheds light on her poetic development and poetic
practice, providing insight into the literary atmosphere of the
household
in which she grew up, and into her early literary
education; revealing the influence that obscure and anonymous magazine
verse
exerted on her own writing; illuminating the
opportunities that magazines presented both for shaping a particular
kind of
published persona and for developing a sense of
literary community; and exposing Leapor’s attitudes—and particularly her
anxieties—about
publishing her verse in periodicals.
Original language | English |
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Pages (from-to) | 79-98 |
Number of pages | 20 |
Journal | Review of English Studies |
Volume | 68 |
Issue number | 283 |
Early online date | 13 May 2016 |
DOIs | |
Publication status | Published - Feb 2017 |
Structured keywords
- Centre for Material Texts
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Dr Jennifer Batt
- Department of English - Senior Lecturer
- Early Modern Studies
Person: Academic , Member