Although beset by social, political, and economic instabilities, interwar Vienna was an exhilarating place, with pioneering developments in the arts and innovations in the social sphere. Research on the period long saw the city as a mere shadow of its former imperial self; more recently it has concentrated on high-profile individual figures or party politics. This volume of new essays widens the spectrum, stretching disciplinary boundaries to consider the cultural and social movements that shaped the city. The collapse of the Austro-Hungarian Empire resulted not in an abandonment of the arts, but rather led to new forms of expression that were nevertheless conditioned by the legacies of earlier periods. The city's culture was caught between extremes, from neopositivism to cultural pessimism, Catholic mysticism to Austromarxism, late Enlightenment liberalism to rabid antisemitism. Concentrating on the paradoxes and often productive tensions that these created, the volume's eleven essays explore achievements and anxieties in fields ranging from modern dance, theater, music, film, and literature to economic, cultural, and racial policy. The volume will appeal to social, cultural, and political historians as well as to specialists in modern European literary and visual culture.
|Translated title of the contribution||An Englishman Abroad: Literature, Politics and Sex in John Lehmann's Writings on Vienna in the 1930s|
|Title of host publication||Interwar Vienna: Culture between Tradition and Modernity|
|Editors||Deborah Holmes, Lisa Silverman|
|Publisher||Camden House (Rochester, NY)|
|Pages||246 - 266|
|Number of pages||21|
|Publication status||Published - 2009|