Abstract
This chapter analyzes the recorded track “Jailbreak the Tesla (feat. Aminé)” (2019) by the American hip-hop group Injury Reserve. A superficial reading of the track connotes the thrill of joyriding, but the busy dynamism and intricate timbral make-up of the beat afford deeper interpretations relating to automobility and technological innovation. After an introduction to the group, the chapter features analysis of the rhythm and timbre of the “Jailbreak” beat, with attention to the production of vocal timbre across the course of the track. It next considers the significance of such analysis with reference to listening contexts, the persona-environment relation, and the lyrics. Finally, the “so what” question is asked of the analysis in the chapter, concluding in a discussion of how the track implicates driving, the hacking culture of jailbreaking, and listening to hip-hop as racialized practices.
Original language | English |
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Title of host publication | Analyzing Recorded Music |
Subtitle of host publication | Collected Perspectives |
Editors | William Moylan, Lori Burns, Mike Alleyne |
Publisher | Focal Press |
Number of pages | 18 |
ISBN (Electronic) | 9781003089926 |
DOIs | |
Publication status | Published - 29 Dec 2022 |
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Dive into the research topics of 'Analyzing hip-hop hacktivism and automobility in Injury Reserve's (2019) “Jailbreak the Tesla” (Feat. Aminé)'. Together they form a unique fingerprint.Prizes
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Winner, Outstanding Multi-Author Collection, Society for Music Theory
Williams, J. A. (Recipient), 2023
Prize: Prizes, Medals, Awards and Grants