Animation Project

Kate Elswit, Megan Nicely

    Research output: Non-textual formPerformance


    The Animation Project began with a question that decentered the human: “If a person and an object are together onstage, what does the person have to do so that the object draws more focus?” For this alternative performance ecology, we developed a set of “animating circumstances” under which objects, including our own bodies, once set in motion, revealed certain kinetic properties that manifested over time in unpredictable ways. This project was shared as a workshop (Ann Arbor, Leeds, Chicago) and as performance (San Francisco, London).
    Original languageEnglish
    Publication statusPublished - 2011


    Dive into the research topics of 'Animation Project'. Together they form a unique fingerprint.

    Cite this