Abstract
The article sheds light on the role played by photographer August Sander among the group of artists known as the Cologne Progressives, showing how his portrait photographs, particularly those of the painters Anton Räderscheidt and Marta Hegemann, helped the artists present themselves as bohemians.
Original language | English |
---|---|
Article number | 3 |
Journal | Tate Papers |
Issue number | 19 |
Publication status | Published - 20 Mar 2013 |
Keywords
- German Photography; Twentieth Century; Weimar Culture