Abstract
This essay examines the print culture surrounding Samuel Frost, an unpropertied young white man with a possible neurodevelopmental disorder, who murdered his father in 1783 and his employer in 1793. Described in three New England broadsides as “the connecting grade between the human and brutal creation,” Frost is precisely the sort of marginal figure often brought to the fore in recent studies of the eighteenth century Atlantic world. Questioning recuperative methodologies that have tended to reinforce liberal assumptions about the sovereign agency of the knowing individual actor, this study of Frost as a man-media “corpus” identifies a networked, posthuman agency that forges connections across time and space.
| Original language | English |
|---|---|
| Pages (from-to) | 39-69 |
| Number of pages | 30 |
| Journal | Eighteenth Century: Theory and Interpretation |
| Volume | 57 |
| Issue number | 1 |
| Early online date | 21 Mar 2016 |
| Publication status | Published - 2016 |
Keywords
- Frost
- posthumanism,
- Samuel
- liberalism
- aesthetics
- Latour
- Bruno
- American gallows literature
- execution poetry
- execution sermons
- criminal confessions
- crime writing
- disability
- dispossession
- revolutionary Atlantic
- capital punishment
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This is the final published version of the article (version of record). It first appeared online via Penn Press at https://muse.jhu.edu/article/612759 . Please refer to any applicable terms of use of the publisher.
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Dr Erin Forbes
- Department of English - Senior Lecturer in African American Literature
Person: Academic