‘Blood in the Gutter: the Graphic Art of Narrative Co-poesis in Anne Carson’s H of H Playbook’

This essay explores the narrative potency of the many silences and gaps, the holes and empty spaces, that shape Carson’s H of H Playbook. It argues that the “comic” styling of this tragedy – that is, its formatting as a comic or a graphic novel analogous to that of Carson’s Euripides’ Trojan Women – engages reader, text, and image in a highly collaborative dynamic of narrative co-production.