Abstract
This paper explores how advances in transplant technologies shape conceptions of self-identity, embodiment and citizenship. Drawing on the posthuman writing of Donna Haraway and from phenomenological interviews, I explore ambivalence towards the commodification of the cyborg-body, suggesting that biotechnology may potentially lead to a dystopian posthuman consumer society.
| Original language | English |
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| Pages (from-to) | 386-394 |
| Number of pages | 9 |
| Journal | Advances in Consumer Research |
| Volume | 40 |
| Publication status | Published - 2012 |