Do People Value Recorded Music?

Lee Marshall*

*Corresponding author for this work

Research output: Contribution to journalArticle (Academic Journal)peer-review

3 Citations (Scopus)
436 Downloads (Pure)

Abstract

How much do the majority of people value music, and can or should that level of value be reflected in music’s economic value? The dramatic decline in the economic value of recorded popular music in the twenty-first century has prompted much debate about music being ‘devalued’ and the perceived ‘value gap’ between music’s socio-cultural and economic values. Using the economic decline of recorded music as a springboard, this paper takes a different approach, however. It offers a theoretical analysis of popular music consumption practices organised thematically in terms of ‘music as object’ (focusing on the social values generated and perceived by recorded music artefacts) and ‘music as sound’ (focusing on the way that most contemporary musical experiences are characterised by music being background sound or accompaniment). Overall, the argument is that ‘music’ may not be as culturally valued by people as is commonly assumed. The way that music operates as a low-value entity to many people is perhaps reflected in the cultural and economic contours of the digital music industry, though they are not caused by digitisation per se.
Original languageEnglish
Pages (from-to)141-158
Number of pages18
JournalCultural Sociology
Volume13
Issue number2
Early online date13 May 2019
DOIs
Publication statusPublished - 1 Jun 2019

Structured keywords

  • Cultural Work

Keywords

  • Consumption
  • music industry
  • popular music
  • recorded music
  • records
  • ubiquitous listening
  • value

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