Extreme States: Remixing Cinema, Visual Art, and Music in Godard's Puissance de la parole (1988) (reprinted in full; originally pub. 2015)

Research output: Contribution to journalArticle (Academic Journal)peer-review

Abstract

Originally published in 2015 in SEQUENCE Three: Re/De-Composition: Sampling, Mashups, Remix, Glitch (Serial Studies in Media, Film and Music). Online at: https://reframe.sussex.ac.uk/sequence3/
Original languageEnglish
Pages (from-to)200-213
Number of pages13
JournalContemporary Literary Criticism
Volume509
Publication statusPublished - 2022

Bibliographical note

Published by Thomson Gale (Farmington Hills MI)

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