Abstract
Originally published in 2015 in SEQUENCE Three: Re/De-Composition: Sampling, Mashups, Remix, Glitch (Serial Studies in Media, Film and Music). Online at: https://reframe.sussex.ac.uk/sequence3/
| Original language | English |
|---|---|
| Pages (from-to) | 200-213 |
| Number of pages | 13 |
| Journal | Contemporary Literary Criticism |
| Volume | 509 |
| Publication status | Published - 2022 |
Bibliographical note
Published by Thomson Gale (Farmington Hills MI)Fingerprint
Dive into the research topics of 'Extreme States: Remixing Cinema, Visual Art, and Music in Godard's Puissance de la parole (1988) (reprinted in full; originally pub. 2015)'. Together they form a unique fingerprint.Cite this
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