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Imagination and Natural Movement: The Bray Studios and the "Invention" of Animated Film

Research output: Contribution to journalArticle

Original languageEnglish
Pages (from-to)130-150
Number of pages21
JournalFilm History
Volume27
Issue number4
Early online date1 Dec 2015
DOIs
DateAccepted/In press - 22 Oct 2015
DateE-pub ahead of print - 1 Dec 2015
DatePublished (current) - Dec 2015

Abstract

This article examines how animated film’s identity was formulated and negotiated during a key period in its consolidation, from 1914 to 1920. Focusing on the Bray Studios, it examines how J. R. Bray envisioned the form of animation and how related ideas of animation were used within animated series produced at his studio, particularly the Bobby Bumps series. Tracing prominent discursive and aesthetic formations of animated film’s place within contexts of other media, its relation to industry and art, and its aesthetics of motion, the article explores how animated film was figured as a new medium.

    Research areas

  • animated film, intermediality, motion, Bray Studios, media identity, cel animation

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  • Full-text PDF (accepted author manuscript)

    Rights statement: This is the author accepted manuscript (AAM). The final published version (version of record) is available online via JSTOR at http://www.jstor.org/stable/10.2979/filmhistory.27.4.130?seq=1#page_scan_tab_contents. Please refer to any applicable terms of use of the publisher.

    Accepted author manuscript, 0.98 MB, PDF document

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