Abstract
This essay looks closely at the Chorus’s speech which opens Act 3 of the play. While it seems like a functional piece of construction and exposition, it in fact is a tour de force of playing with the audience, undermining their perception of reality itself and, quite specifically, their perceptions of what their minds are. This almost science-fictional note in the speech is perfectly captured, it will argue in Laurence Olivier’s 1944 film version, in which the uses made of this speech are profoundly strange.
| Original language | English |
|---|---|
| Title of host publication | Henry V: Critical Insights |
| Editors | Robert C. Evans |
| Place of Publication | New York |
| Publication status | Accepted/In press - 4 Jan 2025 |
Keywords
- shakespeare
- close reading
- henry v