Abstract
A book that explores the visual modernist interest in the paradigm of music as a model for abstraction. But rather than an exploration of 'absolute music' (on which I have previously published), this book looks to jazz as offering a different technical analogue, especially in relation to concept of improvisation, rhythm, and the phenomenology of gesture.
| Original language | English |
|---|---|
| Place of Publication | New York |
| Publisher | Bloomsbury Academic |
| Publication status | Accepted/In press - 2021 |
Keywords
- jazz
- art
- music
- modernism
- orphism
- painting
- improvisation
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Profiles
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Professor Simon Shaw-Miller
- Department of History of Art (Historical Studies) - Chair in the History of Art
- Transnational Modernisms Research Cluster
Person: Academic , Member