Italian Neorealism and the ‘Woman’s Film’: Selznick, De Sica, and Stazione Termini

^*Corresponding author for this work

Research output: Contribution to journal › Article (Academic Journal) › peer-review

1 Citation (Scopus)

274 Downloads (Pure)

Abstract

[no abstract]

Full-text PDF (accepted author manuscript)
This is the author accepted manuscript (AAM). The final published version (version of record) is available online via Oxford University Press at https://doi.org/10.1093/screen/hjaa050 . Please refer to any applicable terms of use of the publisher.
Accepted author manuscript, 523 KB

@article{61c5b89debd74e1699384daf732fb60a,

title = "Italian Neorealism and the {\textquoteleft}Woman{\textquoteright}s Film{\textquoteright}: Selznick, De Sica, and Stazione Termini",

abstract = "[no abstract]",

author = "Catherine O'Rawe",

year = "2021",

month = feb,

day = "19",

doi = "10.1093/screen/hjaa050",

language = "English",

volume = "61",

pages = "505--524",

journal = "Screen",

issn = "0036-9543",

publisher = "Oxford University Press",

number = "4",

}