‘Les Misérables' from Epic Novel to Epic Musical

Bradley Stephens, Kathryn M. Grossman

Research output: Chapter in Book/Report/Conference proceedingChapter in a book


One of Britain’s most profitable musical exports, 'Les Misérables' has captivated audiences worldwide with its mix of stirring spectacle and high emotion. Critical response has, however, been deeply divided. Alain Boublil and Claude-Michel Schönberg’s “megamusical” has often been accused of trivialising the mammoth nineteenth-century novel by Victor Hugo on which it is based, reducing Hugo’s epic of social injustice to populist sentimentalism. To challenge the cliché of the inferiority of adaptations and the bias toward “high art” that such criticism generates, this essay specifies the relationship between Hugo’s global bestseller and the world’s longest-running musical. This connection has received much less scholarly attention than the fame of each work would suggest. By exploring their affiliation within the contexts of both Hugo’s Romanticism and the libretto’s collaborative development from Paris to London, a revealing likeness is identified that clearly underpins the success of the “show of shows.”
Original languageEnglish
Title of host publicationThe Oxford Handbook of the British Musical
EditorsOlaf Jubin, Robert Gordon
Place of PublicationOxford
PublisherOxford University Press
ISBN (Print)9780199988747
Publication statusPublished - Jan 2017

Structured keywords

  • Centre for Material Texts


  • adaptation studies
  • musical theatre
  • Victor Hugo, Les Misérables


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