Abstract
Although viewers might want to see a story about a self-liberated woman as a “feminist” tale, by privileging Esty’s individualist behavior above all else, the Netflix series Unorthodox (2020) paradoxically closes a door on a central tenet of feminism: collective activism. Because collectives are figured almost unwaveringly as negative, the heroine, and the series, imagine the “struggle for individuality” as a struggle against collective power, even that of the oppressed. Thus, unlike The Handmaid’s Tale, the individualist-feminist series Unorthodox both relegates to the periphery the systemic oppression of women and fails to call for the collective action necessary for systemic change.
| Original language | English |
|---|---|
| Pages (from-to) | 184-210 |
| Number of pages | 27 |
| Journal | Jewish Film and New Media |
| Volume | 10 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 11 Sept 2024 |
Bibliographical note
Publisher Copyright:© 2024, Wayne State University Press, Detroit. All rights reserved.
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 5 Gender Equality
Keywords
- feminism
- Haredi
- Jewish
- Unorthodox
- individualism
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