Abstract
My essay explores the aftermath of the First World War on gender relations in German modernism; in particular on the representation of disabled war veterans and the equivocal position of the 'new woman'.
| Original language | English |
|---|---|
| Title of host publication | Aftermath |
| Subtitle of host publication | Art in the Wake of World War One |
| Editors | Emma Chambers |
| Place of Publication | London |
| Publisher | Tate Publishing, London |
| Chapter | 5 |
| Pages | 96-121 |
| Number of pages | 26 |
| ISBN (Print) | 9781849765671 |
| Publication status | Published - 4 Jun 2018 |
| Event | Aftermath: Art in the Wake of World War One - Tate Britain, London, United Kingdom Duration: 15 Jun 2018 → 15 Jun 2018 http://www.tate.org.uk/whats-on/tate-britain/exhibition/aftermath |
Exhibition
| Exhibition | Aftermath |
|---|---|
| Abbreviated title | Aftermath |
| Country/Territory | United Kingdom |
| City | London |
| Period | 15/06/18 → 15/06/18 |
| Internet address |
Keywords
- Art and war
- First World War
- German modern art
- disabled war veterans
- new woman
- History of Art