Remaking Society

Research output: Chapter in Book/Report/Conference proceedingChapter in a book

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Abstract

My essay explores the aftermath of the First World War on gender relations in German modernism; in particular on the representation of disabled war veterans and the equivocal position of the 'new woman'.
Original languageEnglish
Title of host publicationAftermath
Subtitle of host publicationArt in the Wake of World War One
EditorsEmma Chambers
Place of PublicationLondon
PublisherTate Publishing, London
Chapter5
Pages96-121
Number of pages26
ISBN (Print)9781849765671
Publication statusPublished - 4 Jun 2018
EventAftermath: Art in the Wake of World War One - Tate Britain, London, United Kingdom
Duration: 15 Jun 201815 Jun 2018
http://www.tate.org.uk/whats-on/tate-britain/exhibition/aftermath

Exhibition

ExhibitionAftermath
Abbreviated titleAftermath
CountryUnited Kingdom
CityLondon
Period15/06/1815/06/18
Internet address

Keywords

  • Art and war
  • First World War
  • German modern art
  • disabled war veterans
  • new woman
  • History of Art

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  • Cite this

    Price, D. (2018). Remaking Society. In E. Chambers (Ed.), Aftermath: Art in the Wake of World War One (pp. 96-121). Tate Publishing, London.