Revisiting ‘Toledo, Rome, and the Legacy of Gaul’: new evidence from the Divine Office

Maloy Rebecca*, Mason Brown, Benjamin Pongtemp Cefkin, Ruth Opara, Megan Quilliam, Melanie Shaffer

*Corresponding author for this work

Research output: Contribution to journalArticle (Academic Journal)peer-review

1 Citation (Scopus)

Abstract

Over the past century, scholars have identified examples of liturgical chant belonging to more than one Western liturgical tradition, including Franco-Roman, Old Hispanic, Old Beneventan and Milanese. In a seminal study, Kenneth Levy identified a set of offertories that circulate in the Franco-Roman, Old Hispanic and Milanese traditions, arguing that all existing versions derive from an earlier, Gallican tradition. This article expands the evidence for connections between the Franco-Roman and Old Hispanic traditions, identifying nearly two dozen Franco-Roman responsories that are shared with the Old Hispanic rite and may be of Gallican or Iberian origin. The diversity of their liturgical assignments and circulation patterns suggests that the exchange of repertory took place at different times and through different routes. Many of these responsories are assigned to the later layers of the Roman liturgy. Others were added to the Old Hispanic liturgy between the eighth and tenth centuries.
Original languageEnglish
Pages (from-to)1
Number of pages35
JournalPlainsong and Medieval Music
Volume31
Issue number1
DOIs
Publication statusPublished - 7 Apr 2022

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