Abstract
This book developed out of the “Digital Performance Archiveâ€� collaboration outlined in Output Number 1 above. BS contributions included major sections within Preface (pp. ix-xii), Chapter 8 “The Digital Revolutionâ€� (pp. 157-181), Chapter 9 “Digital Dancing and Software Developments (pp. 183-208), Chapter 24 “Videogamesâ€� (pp. 599-621), Chapter 25 “CD-Romsâ€� (pp 623-642) and also Chapter 18 “Webcams, the Subversion of Surveillanceâ€� which includes a previously published article:: “Jennicam, or the telematic theatre of a real lifeâ€� International Journal of Performance Arts and Digital Media, Volume 1, Number 2 (2005), pp. 91-100. ISSN 1479-4713. Other sections embedded into chapters include designers in Chapter 15, practitioners such as Laurie Anderson, Guillermo Gómez-Peña, Yacov Sharir and Diane Gromala and companies such as “Kunstwerk Blendâ€�, Steve Dixon’s own company “The Chameleons Groupâ€�, and the “Gertrude Stein Repertory Theatreâ€�; contributions also to the Conclusion and Bibliography. N.B. - The structuring and editing of the book were undertaken solely by Steve Dixon.
| Translated title of the contribution | The Digital Revolution (also major sections within several other chapters) |
|---|---|
| Original language | English |
| Title of host publication | Digital Performance, A History of New Media in Theater, Dance, Performance Art, and Installation |
| Editors | Steve Dixon |
| Publisher | Massachusetts Institute of Technology (MIT) Press |
| Pages | 157 - 182 |
| Number of pages | 26 |
| Edition | See details in Abstract below |
| ISBN (Print) | 0262042355 |
| Publication status | Published - 2007 |
Bibliographical note
Other identifier: 9780262042352-Other: Authored by Steve Dixon with substantial sections contributed by Barry Smith (see Acknowledgements p. xiii)