Abstract
This essay discovers patterns of expressive significance in Eric Rohmer’s use of colour in his 1986 film Le rayon vert. It traces how green consistently features as emblem and waymarker in the central character’s grasping for a route out of despondency.
| Original language | English |
|---|---|
| Pages (from-to) | 48-57 |
| Number of pages | 10 |
| Journal | New Review of Film and Television Studies |
| Volume | 15 |
| Issue number | 1 |
| Early online date | 16 Jan 2017 |
| DOIs | |
| Publication status | Published - Jan 2017 |
Keywords
- Colour
- Eric Rohmer
- Film style
- Le rayon vert