Abstract
This chapter explores the figure of the non-professional actor in European cinema through the instances of early Soviet cinema and Italian neorealism, two highly influential periods when it comes to the casting and theorization of the non-professional actor in fiction film. Divided into three parts, the chapter first sets out to define the term ‘non-professional actor’ by situating it in a context of similarly elusive terms frequently used throughout history to describe untrained film performers.The definition offered in the first section serves as the foundation for the dis- cussion of the non-professional actor in the contexts of early Soviet cinema and Italian neoreal- ism, presented in sections two and three, respectively.
| Original language | English |
|---|---|
| Title of host publication | Routledge Companion to European Cinema |
| Editors | Gábor Gergely, Susan Hayward |
| Publisher | Routledge |
| Chapter | 23 |
| Pages | 243-251 |
| ISBN (Print) | 9780367461850 |
| Publication status | Published - 30 Dec 2021 |
Fingerprint
Dive into the research topics of 'The non-professional actor in European cinema'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver