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Abstract
The origins of modernism are often situated in the mid-nineteenth-century in Paris. This essay examines parallel developments over a larger geographical area, with particular attention to the Ibero-American Atlantic. The essay argues that the apparent parallels paradoxically undermine the coherence of some of the most fundamental theorisations of cultural modernity. However, it goes on to suggest a way of reformulating the explanation for the similarity between developments across the Atlantic.
Translated title of the contribution | The Origins of Atlantic Modernism |
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Original language | English |
Title of host publication | Theorizing the Ibero-American Atlantic |
Editors | Lisa Vollendorf, Harald Braun |
Publisher | Brill Academic Publishers |
ISBN (Print) | 9789004216105 |
Publication status | Published - 2013 |
Bibliographical note
Other: According to editor (October 2012) now on schedule for 2013.Fingerprint
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History of Art Seminar Series
Andrew J Ginger (Invited speaker)
30 Jan 2012Activity: Participating in or organising an event types › Participation in workshop, seminar, course
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ICLA 2010, ENCLS network workshop
Andrew J Ginger (Participant)
15 Aug 2010 → 21 Aug 2010Activity: Participating in or organising an event types › Participation in conference
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Institute of Advanced Studies in the Humanities: Translations, Adaptations, and Modalities Research Theme
Andrew J Ginger (Invited speaker)
4 Nov 2008Activity: Participating in or organising an event types › Participation in workshop, seminar, course