Abstract
The nineteenth century was a period of significant change in the music of the people. Most
notable of those changes was the advent of music hall. Legislated into being so as to
separate drama and high society from the popular music of ‘the people’, it was a roaring
success across the country, followed, somewhat reluctantly, by Bristol. Here, the city hung
on to its pubs and ‘convivials,’ and to its simplest form of the people’s music: street ballad singers. Targeted by the city’s law-makers as beggars rather than entertainers, they and their songs were – mostly ineffectually – banned from the streets. This paper will examine the people’s music in nineteenth century Bristol in terms of performers, venues and the music itself.
notable of those changes was the advent of music hall. Legislated into being so as to
separate drama and high society from the popular music of ‘the people’, it was a roaring
success across the country, followed, somewhat reluctantly, by Bristol. Here, the city hung
on to its pubs and ‘convivials,’ and to its simplest form of the people’s music: street ballad singers. Targeted by the city’s law-makers as beggars rather than entertainers, they and their songs were – mostly ineffectually – banned from the streets. This paper will examine the people’s music in nineteenth century Bristol in terms of performers, venues and the music itself.
Original language | English |
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Publication status | Unpublished - 17 May 2018 |
Event | The People's Music: From Street Ballads to Music Hall in Nineteenth Century Bristol - M Shed, Bristol, United Kingdom Duration: 17 May 2018 → 17 May 2018 http://www1.uwe.ac.uk/cahe/research/regionalhistorycentre/seminarseries.aspx |
Seminar
Seminar | The People's Music: From Street Ballads to Music Hall in Nineteenth Century Bristol |
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Country/Territory | United Kingdom |
City | Bristol |
Period | 17/05/18 → 17/05/18 |
Internet address |
Keywords
- Music
- Popular Music
- Nineteenth century
- BRISTOL
- WORKING-CLASS