Thinking colour-writing: introduction

Susan Harrow

doi:10.1093/fs/knx123

Thinking colour-writing: introduction

Susan Harrow

Department of French

Research output: Contribution to journal › Article (Academic Journal) › peer-review

1 Citation (Scopus)

215 Downloads (Pure)

Original language	English
Pages (from-to)	307-318
Number of pages	12
Journal	French Studies
Volume	71
Issue number	3
Early online date	10 Jun 2017
DOIs	https://doi.org/10.1093/fs/knx123
Publication status	Published - 10 Jul 2017

Bibliographical note

This is my Guest Editor introduction to a Special Issue of the OUP journal 'French Studies'. The article seeks to make the case for critical attention to colour in narrative and poetry. It proposes a fresh approach to colour writing based on three values: colour capacity, colour agency, and colour concept. It then synthesises the findings of the five other contributors to the Special Issue, drawing out their implications for future research.

Access to Document

10.1093/fs/knx123

Full-text PDF (accepted author manuscript)
This is the author accepted manuscript (AAM). The final published version (version of record) is available online via Oxford University Press at https://academic.oup.com/fs/article/3866452/Thinking-Colour-Writing-Introduction?searchresult=1. Please refer to any applicable terms of use of the publisher.
Accepted author manuscript, 320 KB

Professor Susan R Harrow
- Department of French - Ashley Watkins Chair in French Language and Literature
- Colonialism
Person: Academic , Member

Cite this

@article{846b7270174a4f159e8a28cea935e66a,

title = "Thinking colour-writing: introduction",

author = "Susan Harrow",

note = "This is my Guest Editor introduction to a Special Issue of the OUP journal 'French Studies'. The article seeks to make the case for critical attention to colour in narrative and poetry. It proposes a fresh approach to colour writing based on three values: colour capacity, colour agency, and colour concept. It then synthesises the findings of the five other contributors to the Special Issue, drawing out their implications for future research. ",

year = "2017",

month = jul,

day = "10",

doi = "10.1093/fs/knx123",

language = "English",

volume = "71",

pages = "307--318",

journal = "French Studies",

issn = "0016-1128",

publisher = "Oxford University Press",

number = "3",

}

TY - JOUR

T1 - Thinking colour-writing

T2 - introduction

AU - Harrow, Susan

N1 - This is my Guest Editor introduction to a Special Issue of the OUP journal 'French Studies'. The article seeks to make the case for critical attention to colour in narrative and poetry. It proposes a fresh approach to colour writing based on three values: colour capacity, colour agency, and colour concept. It then synthesises the findings of the five other contributors to the Special Issue, drawing out their implications for future research.

PY - 2017/7/10

Y1 - 2017/7/10

U2 - 10.1093/fs/knx123

DO - 10.1093/fs/knx123

M3 - Article (Academic Journal)

VL - 71

SP - 307

EP - 318

JO - French Studies

JF - French Studies

SN - 0016-1128

IS - 3

ER -

Thinking colour-writing: introduction

Bibliographical note

Access to Document

Profiles

Professor Susan R Harrow

Cite this