Abstract
Jack Kerouac believed that his French Canadian roots held the key to his knowledge, despite the fact that he became known as the "principal avatar" of a generation of American youth. In his bestselling autobiographical novel, On the Road, Kerouac splits his ethnic (French) and national (American) sides into two figures, Sal and Dean, to demonstrate the deficits and benefits of both parts of a hyphenated identity. Italian Sal sees himself as the eternal outsider, whereas Dean is America itself. Yet Sal uses his outsider qualities to connect with other outsiders whose "roots" are beyond the limits of nationhood. And Dean, despite the seemingly endless freedom of his "routes" across the country, is stuck in old tropes of Americanness that do not afford him new possibilities. Together, they create a vision of America that is full of its own grandeur, while refusing to be insular.
Original language | English |
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Pages (from-to) | 85-103 |
Number of pages | 19 |
Journal | Canadian Review of American Studies |
Volume | 39 |
Issue number | 1 |
DOIs | |
Publication status | Published - 1 Jan 2009 |
Keywords
- Beat generation
- Ethnicity
- Franco-American
- French Canadian
- Jack Kerouac