Virtual Theatres

Lisa May Thomas; Ramona Mosse; Einav Katan-Schmid; Ann-Christine Simke; Anika Marshall

Virtual Theatres

Lisa May Thomas, Ramona Mosse, Einav Katan-Schmid, Ann-Christine Simke, Anika Marshall

Research output: Chapter in Book/Report/Conference proceeding › Conference Contribution (Conference Proceeding)

Abstract

This panel explores the impact of immersive technologies on contemporary theatre and performance practices and investigates how it reshapes our sense of physicality altogether and produces new dramaturgies and epistemologies. Through a variety of case studies, we investigate the perceptual politics of such acts of immersion and remediation. Given the broad base of knowledge bases required to create such virtual theatres, we also explore the interrelated question of how working in an interdisciplinary practice-as-research setting transforms our approaches to and research practices in academic scholarship.

Original language	English
Title of host publication	Kongress der Gesellschaft für Theaterwissenschaft: THEATER & TECHNOLOGY
Place of Publication	Düsseldorf University
Publication status	Accepted/In press - 2018

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title = "Virtual Theatres",

abstract = "This panel explores the impact of immersive technologies on contemporary theatre and performance practices and investigates how it reshapes our sense of physicality altogether and produces new dramaturgies and epistemologies. Through a variety of case studies, we investigate the perceptual politics of such acts of immersion and remediation. Given the broad base of knowledge bases required to create such virtual theatres, we also explore the interrelated question of how working in an interdisciplinary practice-as-research setting transforms our approaches to and research practices in academic scholarship.",

author = "Thomas, {Lisa May} and Ramona Mosse and Einav Katan-Schmid and Ann-Christine Simke and Anika Marshall",

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AU - Thomas, Lisa May

AU - Mosse, Ramona

AU - Katan-Schmid, Einav

AU - Simke, Ann-Christine

AU - Marshall, Anika

PY - 2018

Y1 - 2018

N2 - This panel explores the impact of immersive technologies on contemporary theatre and performance practices and investigates how it reshapes our sense of physicality altogether and produces new dramaturgies and epistemologies. Through a variety of case studies, we investigate the perceptual politics of such acts of immersion and remediation. Given the broad base of knowledge bases required to create such virtual theatres, we also explore the interrelated question of how working in an interdisciplinary practice-as-research setting transforms our approaches to and research practices in academic scholarship.

AB - This panel explores the impact of immersive technologies on contemporary theatre and performance practices and investigates how it reshapes our sense of physicality altogether and produces new dramaturgies and epistemologies. Through a variety of case studies, we investigate the perceptual politics of such acts of immersion and remediation. Given the broad base of knowledge bases required to create such virtual theatres, we also explore the interrelated question of how working in an interdisciplinary practice-as-research setting transforms our approaches to and research practices in academic scholarship.

M3 - Conference Contribution (Conference Proceeding)

BT - Kongress der Gesellschaft für Theaterwissenschaft: THEATER & TECHNOLOGY

CY - Düsseldorf University

ER -

Virtual Theatres

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