Abstract
A review-article based around three recent publications:
[i] Nicholas Vazsonyi, __Richard Wagner: Self-Promotion and the Making of a Brand_ (CUP, 2010);
[ii] Daniel Foster, _Wagner's Ring Cycle and the Greeks_ (CUP, 2010); and
[iii] Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard UP, 2010)
[i] Nicholas Vazsonyi, __Richard Wagner: Self-Promotion and the Making of a Brand_ (CUP, 2010);
[ii] Daniel Foster, _Wagner's Ring Cycle and the Greeks_ (CUP, 2010); and
[iii] Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard UP, 2010)
| Original language | English |
|---|---|
| Pages (from-to) | 235-55` |
| Number of pages | 20 |
| Journal | Cambridge Opera Journal |
| Volume | 22 |
| Publication status | Published - 2010 |
Keywords
- Wagner Studies
- musicology
- Richard Wagner