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"What's in a Name?": Romeo and Juliet and the Cibber Brand

Research output: Contribution to journalArticle

Original languageEnglish
Number of pages14
JournalShakespeare
Early online date12 Dec 2017
DOIs
DateAccepted/In press - 15 Nov 2017
DateE-pub ahead of print (current) - 12 Dec 2017

Abstract

The 1744 and 1748/50 performances of Romeo and Juliet by Theophilus Cibber, Jenny Cibber and Susannah Cibber explain the significance of the play’s return to the repertory, uncover the history of rival interpretations of Juliet’s character, and make sense of the careers and reputations of the theatrical Cibbers. The “Cibberian” airs of all three Cibbers were markedly different, as were their interpretations of Shakespeare’s star-crossed lovers.

    Research areas

  • Shakespeare, adaptation of, celebrity, performance history

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  • Full-text PDF (accepted author manuscript)

    Rights statement: This is the author accepted manuscript (AAM). The final published version (version of record) is available online via Taylor and Francis at http://www.tandfonline.com/doi/full/10.1080/17450918.2017.1406983. Please refer to any applicable terms of use of the publisher.

    Accepted author manuscript, 536 KB, PDF document

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