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Abstract
This article presents new research arising from editing Lamb’s poem ‘The Young Catechist’ (1827), written to accompany Henry Mayer’s painting of a black man and white girl, now on display at the Bristol Museum and Art Gallery. Through reproduction in several media and dissemination in diverse print contexts, the poem and painting became part of ideologically fraught public discourses around abolition and race relations in the second quarter of the nineteenth century.
| Original language | English |
|---|---|
| Pages (from-to) | 73-95 |
| Number of pages | 23 |
| Journal | The Charles Lamb Bulletin |
| Issue number | n.s. 177 |
| Publication status | Published - 1 Oct 2023 |
Keywords
- Charles Lamb
- Abolitionism
- painting
- Bristol
- nineteenth century
- Romantic periodicals
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Dive into the research topics of '‘“White and black in him have part”: Charles Lamb’s “The Young Catechist”, Visual Culture and Abolitionism’'. Together they form a unique fingerprint.Research output
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The Complete Works of Charles and Mary Lamb, vol. 5: Album Verses (1830) and Uncollected Poems and Plays
Matthews, S., 31 Dec 2024, (Unpublished) Oxford: Oxford University Press. (Oxford English Texts)Research output: Book/Report › Scholarly edition
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Album Culture: Begging for Scraps
Matthews, S., 15 Dec 2022, The Edinburgh Companion to Romanticism and the Arts. McCue, M. & Thomas, S. (eds.). Edinburgh: Edinburgh UP, Edinburgh, p. 429-449 21 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter in a book
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Album Verses and Romantic Literary Culture: Poetry, Manuscript, Print, 1780-1850
Matthews, S., 10 Sept 2020, 1 ed. Oxford: Oxford University Press. 320 p.Research output: Book/Report › Authored book