@inbook{4a2690a3bed04db48f04212fd6ef8dbf,
title = "Writing Wrongs: Contemporary European Crime Fiction and the Spectre of Euro-Fascism in the Novels of Didier Daeninckx, Arne Dahl and Jo Nesb{\o}",
abstract = "This chapter explores the ways in which the memory of collaboration with Nazism haunts a range of French and Scandinavian novels from the new millennium. It proposes that this memory, which is linked in each work to the rise of contemporary neo-Nazism across the continent, suggests a persistent awareness of that other form of European union which inspired French, Norwegian, and Swedish collaboration and which continues to offer a counterpoint to the rise of today's European Union. These novels are therefore not only vital tools for exploring half-buried national memories of local fascisms; they serve to alert the reader to the European and transnational nature of fascism and its relevance in post-Schengen Europe. ",
keywords = "fascism, collaboration, memory, France, Norway, Sweden, Didier Daeninckx, Jo Nesbo, Arne Dahl, Europe, World War Two, neo-nazism",
author = "Martin Hurcombe",
year = "2018",
month = jun,
day = "1",
language = "English",
isbn = "9781138592544",
series = "Routledge Studies in Cultural History ",
publisher = "Routledge",
pages = "236--257",
editor = "Smith, {Angela K} and Sandra Barkhof",
booktitle = "War, Experience and Memory in Global Cultures Since 1914",
address = "United Kingdom",
}
