Abstract
The present article tests the limits of cosmopolitan memory. It spotlights a unique case study, the permanent exhibition in Schindler’s Factory in Kraków, Poland, shaped by a group of local curators and politicians, as well as representatives of foreign memorial institutions and supranational NGOs. The thrust to create a cosmopolitan narrative came from Polish curators, but their vision was curbed by both a local politician and the head of a global NGO. The version of cosmopolitanism offered in Kraków engaged with contemporary Polish problems. However, it ignored Polish anti-Semitism and perpetration. The article reveals how in practice the cosmopolitan message is shaped, what propels it forward, what limits its horizons.
| Original language | English |
|---|---|
| Pages (from-to) | 34-68 |
| Journal | History and Memory |
| Volume | 32 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 23 Mar 2020 |
Keywords
- Holocaust memory
- cosmopolitan memory
- museums
- Kraków
- Poland
Fingerprint
Dive into the research topics of 'Creating Cosmopolitan Past: Local and Transitional Influences in Memory Work in Schindler’s Factory in Kraków, Poland'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver